3 Signs You’re Stuck in Songwriter Limbo

Most songwriters don’t have a creativity problem. They have a finishing problem.

Ideas pile up in voice memos, DAW sessions, and notebooks until the “graveyard” gets so full it’s hard to start anything new.

If 80% of your songs are sitting half-finished, chances are you’re stuck in Songwriter Limbo.

The good news? There are clear signs you can spot—and simple steps to get unstuck.

1. You Keep Rewriting the First Verse

Endless tweaking feels productive, but it’s really procrastination in disguise. If you’ve rewritten your first verse 12 times and still don’t have a chorus, you’re not refining—you’re stalling.

Try this instead:

• Set a draft limit. Allow yourself only 3 passes at any section before moving on.
• Switch sections. If the verse stalls, skip to the chorus or bridge. Momentum matters more than polish.
• Template to use:

  [Verse - 3 drafts max]  
  [Chorus - write once, refine later]  
  [Bridge/Pre-Chorus - optional]  
  Finish the skeleton, THEN return to edit.  
  

Example: Paul McCartney wrote the “Yesterday” melody first and filled in placeholder lyrics (“Scrambled eggs…”) just to move forward. He didn’t wait for the perfect opening line—he finished the structure, then refined.

2. Your DAW is a Museum of Half-Built Tracks

If you’ve got 50 sessions labeled “Song Idea 1–50” and none of them are finished, you’ve turned your studio into a storage locker instead of a workshop.

Try this instead:

• Use the 1-to-10 Scale. Rate each unfinished track by energy and potential. Only move forward with songs rated 7 or higher.
• Set a 7-day deadline. Give yourself one week to either finish or archive the track. No middle ground.
• Practical step: Create a folder called “Dead or Done.” Every Sunday, move each session into one of those folders.

Example: Max Martin (writer of 25+ #1 hits) works in focused sprints. Songs either move forward quickly or get parked, which frees mental space for what’s actually working.

3. You’re Waiting for “Inspiration” to Strike

If you only write when you “feel it,” you’ll never build a catalog. Consistency—not inspiration—is the real creative superpower.

Try this instead:

• Schedule a weekly sprint. One hour, no excuses, every week.
• Focus on completion, not brilliance. The goal is to cross the finish line, not write a masterpiece.
• Use the 2-Track Sprint Method:
  • Pick 2 unfinished songs.
  • Spend 30 minutes on each.
  • Commit to finishing one of them that same day.

Example: Leonard Cohen famously wrote “Hallelujah” over years of drafts, but he also produced dozens of finished songs during that time. The catalog—not the single—built his career.

Key Takeaways

• 3-draft rule: Stop rewriting forever. Move forward.
• Dead or Done system: Don’t hoard sessions. Decide weekly.
• Weekly sprints: Build a finishing habit that compounds over time.

The difference between amateurs and pros isn’t talent—it’s completion. Spot the signs of Songwriter Limbo, put a structure around your workflow, and start stacking finished songs.

Your catalog grows one finished track at a time.

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